Bad Trip (2026)

In this four-minute experimental drama-horror hybrid, a person (Robin Pyle, playing herself) experiences a destabilizing fragmentation of temporal perception. Surrounded by friends and collaborators who appear as versions of themselves, the protagonist navigates a reality where minutes stretch and collapse without warning. The film offers no exposition, no clear inciting incident — only the visceral sensation of time becoming unreliable, rendered through disjunctive editing and an increasingly uneasy soundscape.