You Can See Everything (2026)

Thirty-four days before reporting to prison, convicted Theranos founder Elizabeth Holmes invites a film crew led by Nathan Fielder to document her final weeks of freedom. What begins as a controlled portrait of a fallen Silicon Valley star evolves into a three-year, meta-layered project where reenactments (starring Amanda Seyfried as Holmes), recursive filmmaking, and shifting power dynamics blur the line between subject and author, truth and performance.

As Fielder inserts himself into the story, the film becomes a hall of mirrors reflecting Holmes’ myth, the media’s appetite for it, and the ethics of giving a convicted fraudster a platform to rewrite her own narrative.